Washtenaw Community College School of Music and Performing Arts.
http://www4.wccnet.edu/academicinfo/creditofferings/programs/schools.php?code=SMPA
Students learn basic creative and performance skills in music, drama and dance and how they are applied in a professional setting. Whether you are exploring your own talents, coordinating the talents of others, or practicing the techniques you will need to make a living at your craft, the School of Music and Performing Arts provides the fundamentals you need.
TRANSCRIPT:
Do you feel more alive when you’re on stage, or as part of a creative team? Have you always wanted to act, dance, compose, but have been afraid to try? Then think about WCC’s School of Music and Performing Arts. There’s no other field where you can express yourself to the world. It doesn’t matter what your experience level is. We only care that you grow. The School of Music and Performing Arts is unique. Why? Because it can train you for a career in the arts or provide a background for an appreciation that can last a lifetime. We’ve had students go on to form their own dance companies, perform with the Blue Man Group, write with such artists as Madonna, and transfer to top four-year performing arts programs. You don’t find this level of equipment and rehearsal space in many schools. We have pianos, space for guitar lessons, a soundproof studio, computers set up with all the applications you need to learn sequencing, producing, arranging. We have large dance studios and two theater stages. In Towsley Auditorium, you can learn sound reinforcement and perform in front of hundreds of people. And yes, we have traditional classrooms where you will learn the valuable art of managing your own career as a performer or music engineer. These instructors know what they teach because every single one of them works in the field. They spend their time performing around the country and working with other artists. You get personal, individual attention from these high-caliber instructors, and they know tons of people in the business who can help you. The tuition at WCC is very reasonable — probably what you’d make playing a few gigs. And there are lots of loans, grants,and scholarships that you may qualify for. So whether you want to work on stage or behind the scenes, you can develop an appreciation for the performing arts, and WCC can help make it happen.
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The Maine Arts Commission aims to develop stronger ties between cultural, business and governmental sectors with the launch of a new community arts grant. The Creative Communities = Economic Development Grant has a maximum award of $50,000 and is poised to support cultural and economic development efforts that will lead to real change in Maines communities.
Two $50,000 CCED grants will be awarded to Maine communities in the fall of 2010. The grant requires a letter of interest by March 8, 2010, with the full application deadline on October 7 of that same year.
Full details of this grant can be found at MaineArts.com using the following link, http://mainearts.maine.gov/grant_creativecommunities.aspx.
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For the last 10 years People’s CORE, a not-for-profit, community based organization, has been
serving the communities of Los Angeles and the South Bay through the following programs:
Community Health and Environmental Justice Advocacy, Resource Leadership Development
Institute for the Youth, Immigrant Rights and Social Justice, Culture and Arts Enhancement, and
other Special Projects. People’s CORE also initiated and continues to support the Filipino WWII
Veteran’s struggle for justice and equity.
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Project Racines approach is to train local youth through IAHV & Art of Living’s powerful Youth Leadership Training Program (designed by Sri Sri Ravi Shankar) as powerful leaders to revitalize the country.
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This slideshow was created out of photographs from the the construction of the Arts Council of Princeton’s new building to the present.
Music: Harmonious Wail – Schmidt – Bossa Dorado
Created by Ryan Oskin
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From some of the youngest musicians in the community to the leader of The University of Texas System, string performers christened The University of Texas at Brownsville and Texas Southmost College Arts Center with the facility’s first public concert Monday, Feb. 15
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Jason Castro Fans Community Art Project for Charity Update: A view of the Studio with some discussion of drawing and collage. A description of the problem solving involved with creating a piece of art from a donation.
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This is a short documentary of Yoruba cultural celebration at the IFA ORISA CULTURAL CENTER in Atlanta, GA. ‘AJODUN IRUNMOLE’ (Festival of the deities) was initiated by Chief Bolu Fatunmise, the founder of the Yoruba Cultural Center. Chief Bolu was born to a family of traditional Yoruba healers (BABALOWO), and dedicates his life to spreading the word of Ifa Orisha through music and education. His contributions to promoting Yoruba culture in the U.S., South America and elsewhere include initiating and training men and women into Ifa and various Orisha ceremonies; performing marriage and naming ceremonies; conducting Ifa divination and providing in-depth counseling; and performing healing workshops. Visit http://www.ifaorisa.com/index.htm General Information: bolu@bellsouth.net
ARTS & COMMUNITY ENGAGEMENTS is produced by Tunde Afolayan. website: http://www.tundevisualart.com/
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This week Artsworld visits Freedom Theatre in the Jenin refugee camp. This pioneering project is the only professional venue for theatre and the arts in the north of the Palestinian occupied territories. Zakaria Zubeidi, the head of the al Aqsa Martyr’s Brigade in Jenin in the West Bank, has now put down his weapons and believes that children’s theatre is an important way to fight for Palestinian statehood.
The programme also features the China Disabled People’s Performing Arts Troupe, which has entertained audiences in more than 50 countries. The troupe consists of 100 performers who say their tightly knit community has given them a renewed sense of pride and purpose despite a history of discrimination that continues to haunt many of China’s 80 million people with disabilities.
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Free Street in the 1970’s. Narrated by Studs Terkel
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